There’s still silence…

But there’s an awful lot going on underneath.

The band to eventually become Submareen was formed on 11 February 2010, when its three members first played together in a commercial band rehearsal room in Budapest. The band was initially named Skinned Ragdolls. Not a particularly important choice, but thanks to its uniqueness at least no relevant Google hits would interfere with our glorious online presence. We rehearsed for some months and played our favourite music – the songs we always thought we could play well, and were worth playing.

Our playing matured and as we realized that we could do better than just another cover band (not that there’s anything wrong with that), we started writing our very own songs. Rooted in our most passionate musical influences, a musical style emerged that seemed to be truly ours. We found ourselves captivated by the new material and kept perfecting the songs week after week, rehearsal after rehearsal.

As months passed, our rehearsal base slowly turned into a small, but well equipped recording studio. The changes were incremental, but by winter 2010 the place was full of microphone stands with microphones permanently setup, cables everywhere, and a PC based full-blown recording rig with 16 physical channels and Ardour. The room was then acoustically treated with copious amounts of mineral wool (in retrospect, this was not the best order to follow, but we had to learn things as we went).

Recording of our first album started back in December 2010, and is nearing completion now (estimated to be fully complete by mid-JuneJuly 2011). Mixing will hopefully be complete by the end of JulyAugust. The record comprises nine songs, and a running time of about 51 minutes. The album is titled Decline (more on that later), and will be released online, with full-length decent quality streaming audio available for free, and all major lossless formats downloadable after purchasing the album.

Soon…

the Submareen will rise to the surface!

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Welcome to my basement

It’s called Tachyon Studio.

Continue reading

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Decline: status update

Just a quick note of where we stand now, and where we are going from here.

Eight out of Decline‘s nine songs are fully recorded (not counting backing vocals and special effects, which are all missing at the moment). There’s only one song waiting for my finishing touches in the form of an elaborate layer of guitar solos. The musical concepts for this one still need to be fleshed out and a certain amount of rehearsal has to be done before I can proceed with recording it. By the way, this song is a very special one: it is an instrumental piece (unlike all others) comprised of three distinct movements (unlike all others), thus musically a bit more complex than those (not that those are the simplest you could ever imagine). Its title is Avoiding the 9-to-5 society.

The crew welcomes Csilla Badacsonyi on board who will create all the artwork needed for the album cover. I have already discussed with her my concepts regarding the cover (which, as an engineer, I naturally developed to an exhaustive level of fine detail, and extended to her as a shrink-wrapped requirement specifications manuscript). Sorry, no spoilers for now, it will be available when it is time.

Sophie Füzi will be working on backing vocals. I’m excited to see how this cooperation will contribute to the material.

Finished editing (at least for now) the first four songs, corrected at least 19,387 small timing errors during the process (the actual figure is somewhat higher, but I lost counting at one point). Nothing too serious about these errors, but stuff like this tends to add up during a song and significantly drain the attentive listener’s enjoyment. The edited songs became much better, much more powerful, and that is still before any proper mixing. I also have to say, though, that I’m progressing slower than I’ve imagined. It is “second 90% of the project” phenomenon in full glory (very familiar to anyone who has ever worked professionally in the IT industry, or, for that matter, any competitive industry).

My realistic estimate is that all tracking activity will be finished by the end of July (this includes backing vocals and any special sound effects), and mixing will commence in August. I don’t like deadlines; Decline will be released when it is time. By all means, though, it will be released in 2011.

The trivial stuff: just picked up one of my preamps from the repair shop. One of the XLR inputs stopped working a while ago. As the repair guy squarely put it, the only thing they had to do was finish the manufacturing process: internal cabling was loose, poorly connected in the factory, which, added to the fact that originally no hot glue was applied to hold parts in place, eventually caused the fault. I thought about this as I was driving back to the studio with my preamp. Finishing the manufacturing process, I guess that’s pretty much the most polite way to put it.

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About the band name (everything you wanted to ask)

Those who know me know that I have a penchant for all sorts of puns and quips. So why is this musical venture called Submareen?

I finally settled on this name after much searching and puzzling. It is meant to express a few things. First of all, a band like ours is like a submarine crew. We operate under the surface, ultimately tied to each other. None of us can independently exist, but together we are more than the sum of our parts.

The name also stands for our musical style: the design of a submarine is expedient. The space on board is very limited, so there is nothing you don’t absolutely need, but everything you cannot do without. So is our music: we don’t employ synthesizers, we use effects very sparingly, and are generally very lean considering today’s endless collection of effects and virtually limitless processing possibilities. For my part, on Decline I have recorded all guitar parts with the same guitar (my Excalibur) played through my cranked-up TSL100, with very occasional use of a Crybaby pedal. Bass and drums have been recorded in a similarly old-school fashion. All this, however, does not imply that the music is weak in any sense. After all, a submarine can exert more force you can possibly withstand. A submarine is heavy.

Finally, this name nicely alludes to the particular band that I consider my primary musical influence: Led Zeppelin. Submarines are exotic vehicles very similar to lighter-than-air craft once deemed even commercially viable. Both types of vehicles operate on the basis of buoyancy. Serious – commercial or military – use of such air vehicles has now declined, but still, there is a mighty similarity between the silhouette of a submarine and that of a Zeppelin. Oh, and we also have a deliberate misspelling in the name (cf. Lead Zeppelin), that’s why it’s called Submareen!

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